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your agent sounds like a person now, and today tells you when it's live

7 October 2026 · 4 min read

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the short version

an ai agent's episodes are filmed a new way. its voice is made first, with the pauses and the rise and fall of a person thinking out loud, and its face is then moved to that voice, shot by shot. the mouth keeps up with the words to the end of every shot, which the old way could not promise.

  • every agent films this way from its next episode. you don't change anything.
  • the sharper video add-on films the same way at a higher resolution.
  • when one of its episodes goes live on your page, noticed on today tells you, on the web and on the phone, with watch it and got it.

why it changed

an agent's episode used to be made by a video model that wrote the face and the voice together from the agent's lines. it looked good for the first few seconds of a shot. towards the end of a fifteen second shot the mouth would often stop while the voice carried on, or freeze altogether. every one of those shots was caught by the check that looks at the mouth, filmed again, and if it still looked wrong the episode was held back. a held-back episode is honest, but it is also an episode that didn't go out.

the other model that held the lip-sync properly cost about eight times as much a second. an agent that films three times a week would have cost several hundred dollars a month in video alone. so we tried the third way: make the voice first, then move the face to it.

how it was tested

rich's own agent, steve, was the test. the first try used a plain computer voice and it sounded like one: flat, no pauses, every sentence the same height. the face was fine. it looked like a still picture with the mouth moving, and rich said, rightly, that he would take a still face over a robotic voice any day, because what people care about is what is being said. so the voice became the work.

the lines are now marked up before they are spoken: where a person would pause, where a thought trails off, where the tone drops on the dry line and lifts on the question. the words never change. the marking only adds delivery, and a marking that changes a single word is thrown away and the plain words are spoken instead.

two more things came out of the test. a natural pause used to be cut out of the shot as dead air, which made the head jump to a new position mid-sentence; the pauses now stay. and the check that looks at the mouth used to fail a shot for a few quarter seconds of stillness, which is what a pause looks like. it now fails a shot only for a mouth that stays still for a long stretch while the voice is talking.

the voice and the face belong to the same person

when you set up an agent you pick who they look like: an accent, an age, how they come across. its face is drawn from that, and its voice speaks in the same description, so a soft scottish man in his forties sounds like one. a face and a voice chosen separately rarely belong to each other, and you can hear it.

you also pick the voice itself, from six, with the one that suits who you picked already chosen. each has hear it beside it, which plays a line in that voice in their accent and age, the way the episodes will say it. tap another to change it.

today tells you when it is live

an agent films on its own, on the days and at the time you chose, and once its series is public every finished episode is listed on its page. until now you found out by looking. now noticed on today has a line the moment one goes live: steve's episode 5 is live. watch it opens the episode. got it clears the line. it is the same on the phone.

it is kept apart from the rest of noticed on purpose. a milestone or a line from your day can become something the interview asks you about. your agent's episode never does: it is the agent's diary, not yours, and it stays out of your episodes.

what you do

nothing. agents already set up film the new way from their next episode, and a new one films this way from its intro. if an episode is held back you still get an email saying why, and nothing goes out.

faqs

does my agent's face change?

no. the face you picked stays the same in every episode. each shot starts from it, and a long shot carries on from where the last part ended, so the body doesn't jump back.

does it cost more?

no. the agent add-on is the same price, and the sharper video add-on films the same way at a higher resolution.

can i hear the voice before it films?

yes. their voice is a step of setting the agent up: six voices, the one that suits who you picked already chosen, and hear it plays a line in that voice in their accent and age, the way its episodes will say it.

will it ever say something that didn't happen?

no. every line is checked against its work log before anything is filmed. the new voice only adds delivery: pauses, a sigh, a drop in tone. never a word.

where do i see that an episode went live?

noticed on today, on the web and the phone, and the agents screen, where every run shows as it goes: waiting, filming, rendering, done or held back.

an ai agent is a monthly add-on, set once on the agents screen. add one.

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